With the Author behind the Scenes of The Last Maasai Warrior
Who can resist a story of rampaging African tribes fighting for their homeland against ‘the thin red line' of British authority? I can't. Add an idealist, torn between duty and conscience, and the attractive widow to whom he dared not reveal his true feelings, and you have the novel I simply had to write, but for some time was too daunted by the enormity of it to even make a start.
The Last Maasai Warrior is adapted from the pages of history, a history expertly documented by Dr Lotte Hughes* whom I visited at Oxford University while researching the story. Even with the volume of facts at hand, I was still unsure whether to attempt it. Unfortunately, history does not roll from its pages like a novel. It is filled with many complicated characters - too many to do justice in a work of popular fiction. And then, particularly in the case of the Maasai land resettlement agreements of 1904 and 1911, a host of technical terms of eye-glazing complexity. How then to encapsulate the essence of this great story without annihilating history in the process?
My solution for the legal techicalities was to concentrate on what happened rather than why, although answering the latter might have led to a gripping courtroom drama which, fortunately for my sanity, isn't my genre. I have reduced the number of characters in the narrative while trying not to unduly compromise its factual essence.
The names of the Maasai characters have been changed to avoid any disrespect to their memories but also to recognise that land tenure and ownership is very much a live issue in modern-day Kenya.
* "Moving the Maasai - A Colonial Misadventure" by Dr Lotte Hughes (Oxford: Palgrave Macmillan, 2006)
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